Get all 26 styrofoam releases available on Bandcamp and save 50%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Game of Pricks (Guided by Voices cover), Happiness is Obsolete, tape travel is lonely (political song for joan didion to sing), Five-Cornered Drone (Crispy Duck), Political Songs, Sleeping As Much Of The Day As We Wanted, Extended Play, (All I Want Is To) Disappear, and 18 more.
styrofoam Antwerp, Belgium
Between 2000 and 2010 Styrofoam released six albums on Morr Music (Berlin) and Nettwerk (LA), toured with Notwist, Death Cab For Cutie and Lali Puna and remixed The Postal Service, Mum, Jimmy Eat World and many more. In 2018 he returned with the fully instrumental "We Can Never Go Home" on the sound in silence label. ... more
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We Can Never Go Home
by Styrofoam
supported by 9 fans who also own “Sleeping As Much Of The Day As We Wanted”
I'm a huge fan of Styrofoam. If soaking in the sunshine of a late September afternoon made a sound, it would be this album.
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supported by 7 fans who also own “Sleeping As Much Of The Day As We Wanted”
It’s hauntingly beautiful and conjures up intense emotions.
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supported by 6 fans who also own “Sleeping As Much Of The Day As We Wanted”
Mimi was so unbelievably amazing. More is a perfect track in a flawless album.
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Rough Sentience
by Slava Dyadyun and Meltdownlove
No musical stone is left unturned on this bracing collaborative EP that swings from chillwave to hyperpop, making all stops in between.
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Atmospheric downtempo electronica with gauzy, rippling synths laid atop gentle, pillowy rhythms.
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Fragile, breathtaking music from French American artist Lyli J, lit up by softly glowing synths and gentle vocal melodies.
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supported by 5 fans who also own “Sleeping As Much Of The Day As We Wanted”
A group that I know only too well, I’ve been with them for nearly 30 years; from their Glaswegian basement origins to their current status as Arena band. My enthusiasm for their later output may have tempered somewhat as the mighty ‘Gwai evolved their sound to avoid pigeonholing, but there is nothing better than when they lay waste to a venue via the sheer euphoria of ‘Helicon 1’. They’re still devastating live and, after all those years, THE authority in Instrumental Rock music.
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